Posts Tagged Allen Jones
Celebrate Black History Month with Fordham Press!
Posted by FUPress in African American Studies, American History, American Studies, History on February 1st, 2010
February is Black History Month, a time to reflect and celebrate the achievements and lives of those who have contributed to and shaped our culture. It has been celebrated annually in the US since 1926 and aims to commemorate the struggles that black Americans overcame to gain the basic rights many take for granted.
Civil Rights in New York City: From World War II to the Giuliani Era, forthcoming in April, documents the significance of the Civil Rights Movement in New York, a movement that has largely been overlooked in the greater span of history. Most schools teach that the battle for civil rights was one primarily waged in the trenches of the Deep South, which has become characterized by the lynchings, riots, and segregation that were commonplace there. However, the fight for equality did not stop at the Mason-Dixon line. In this collection, edited by Clarence Taylor, the campaign for racial justice in NYC is portrayed as having contributed greatly to the nation-wide movement.
Before the Civil Rights Movement of the 1960s came the period of Emancipation and Reconstruction following the Civil War of the 1860s. Two books, both to be published in April, examine the events of that period. The Great Task Remaining Before Us: Reconstruction as America’s Continuing Civil War examines the monumental impact that the Civil War had on the national political and social landscape, not only during the War, but before and after as well. It dispels the notion that the Civil War ended with General Lee’s surrender and posits that the period known as Reconstruction was just as fraught with racial and political tensions and hatreds as during the War itself. Freedwomen and the Freedmen’s Bureau: Race, Gender, and Public Policy in the Age of Emancipation examines the Bureau of Refugees, Freedmen, and Abandoned Lands (commonly referred to as the “Freedmen’s Bureau”) and its relationship to women during post-Civil War Reconstruction. The Bureau was created and tasked with helping assimilate former slaves into American daily life–a gargantuan task. However, little has been written about the Bureau’s work in relation to the women it directly affected, a fact which Mary Farmer-Kaiser, the book’s author, believes has done a great disservice to the agency, its legacy, and understanding of American history.
Turning the clocks ahead to more modern times, The Rat that Got Away: A Bronx Memoir is the story of Allen Jones, a man who became a prominent banker and professional athlete in Europe after escaping from the brutal urban realities of an adolescence in the South Bronx. The Rat that Got Away is more than a story of personal triumph and determination (Jones was a heroin dealer and addict who served jail time before turning his life around), but also an intriguing look at the Bronx in the 1950s and ’60s, at a neighborhood that slid from a place of hope for middle class families to a neighborhood ravaged by unemployment, racial tensions, and drugs. Despite its trials, the South Bronx and its people never gave up, and it’s this story that serves as the heartbeat of the book.
Library Journal Review: The Rat That Got Away
Posted by FUPress in Uncategorized on November 12th, 2009
Library Journal ran a great review of The Rat That Got Away: A Bronx Memoir:
Jones, Allen & Mark Naison. The Rat That Got Away: A Bronx Memoir . Fordham Univ. 2009. c.224p. illus. ISBN 978-0-8232-3102-7. $29.95. AUTOBIOG
Jones pursued two successful careers in Europe: professional basketball player and banker. If you met him, you might not guess he spent his teen years as a heroin dealer in New York. His memoir, written with Naison (history & African American studies, Fordham Univ.) focuses on his experiences growing up in a Bronx public housing project, playing serious basketball, ignoring school, dealing and doing drugs, and eventually lucking into a series of experiences that led to a professional basketball career in Europe. Jones credits his success to his supportive family, coaches, and neighborhood elders, but ultimately his is a tale of luck. The young Jones makes rash decisions, avoids his responsibilities, lies, and steals but also encounters many unlikely second chances. In another writer’s hands, this blessed triumph-over-adversity story line might be trite and irritating, but Jones draws readers in with his direct, conversational style, and the tale is gripping even though readers know it will end well. VERDICT Recommended for memoir lovers and anyone interested in a first-person perspective on 1960s-era urban adolescence. —Emily-Jane Dawson, Multnomah Cty. Lib., Portland, OR
“The Rat That Got Away” Continues to Attract Readers
Posted by FUPress in American Studies, With a Brooklyn Accent on October 6th, 2009

"It Takes a Village to Write a Book" Panelists: Angela O'Donnell, Mark Naison, and Allen Jones
Last Thursday, Allen Jones, author of The Rat That Got Away and co-author, Mark Naison, Ph.D., Professor of History and African-American Studies, participated in a panel discussion on the writing of The Rat That Got Away at Fordham University. The lecture was sponsored by the Center for Catholic Studies and the Bronx African American History Project. To Read more, visit the Fordham American Studies Blog.
Upcoming events:
- Tuesday, October 6: Lecture and Book Signing for Harlem RBI, Youth Organization in Harlem, New York
- Thursday, October 8: Lecture and Book Signing at CUNY Prep, a high school in the Bronx
- Friday,October 9: Lecture and Book Signing at The Bronx Museum of the Arts
Visit the FUP website for more information on upcoming events.
Visit to PS 140: How an Extraordinary School Used “The Rat That Got Away” to Promote Literacy and Professional Development
Posted by FUPress in African American Studies, Education, New York, With a Brooklyn Accent on September 28th, 2009
by Mark Naison
On Friday morning, September 25, at 7:30 AM, Allen Jones, author of The Rat That Got Away: A Bronx Memoir , joined me for a visit to PS 140, a Bronx school I have worked with for the last four years, where a group of teachers wanted to meet with us to discuss the book.
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For Allen and me, the visit was a profoundly moving experience.
First of all, to see a group of 20 teachers gathered for a book group at 7:30 AM on a Friday morning, all of whom had read the book cover to cover, said something very powerful about the culture of PS 140 as well as about the appeal of The Rat That Got Away. In a school where the principal is often in the building 7 days a week, teachers think nothing to being in the building early in the morning or late into the night to enhance their own professional development or do something that might benefit their students or the larger school community. Allen and I looked at the faces of the teachers assembled, mostly women, mostly ( but not all) Black and Latino, and clearly, from their affect and conversation, people who had grown up in the city, and felt a twinge of anxiety along with the excitement. Would they like the book? Would the find it true to life? Would they feel it captured their experience and the experience of the young people they worked with every day?
After I gave a brief introduction thanking the teachers for coming, and explaining how the book was written, I asked the teachers what they thought of the book urging them to be completely honest and not worry if what they said offended us. What followed left us humbled, gratified, and deeply moved. The first teacher to speak, Mary Dixon Lake, herself a published poet and children’s book author, said the book brought to life the world of her child hood in Bedford Stuyvesant and said that20Allen’s portrait of his father captured the aura of power and respect inspired by her own father and that of many of the Black fathers she grew up around. Another teacher, Pam Lewis, said that even though she grew up in another Bronx Housing project (Edenwald rather than Patterson) twenty five years later than Allen, his description of the sights and sounds and smells of the project grounds when he went to church at 8 on a Sunday morning was exactly how she remember her trips to church during her own childhood. Another teacher came forward to praise the books language, saying that she appreciated how well Allen captured the way people in the street spoke, saying it was the first book about the Bronx, much less the city, where the language of the main characters was wholly believable and authentic.
But the most powerful moment in the morning came when Mike Napolitano, a teacher in the school who had grown up in the Patterson Houses and whose older brothers knew and played ball with Allen said “That was me! That was us.” Echoing Allen, he described project halls so clean that he could get on his hands and knees and push model cars through them, people who trusted their neighbors so much that they left their doors open all day, and people of all races and nationalities who were in and out of each others apartments, eating one another’s food, listening to one another’s music and building friendships that crossed racial lines. He went on to praise Allen for giving recognition to all the coaches and community center directors who worked with neighborhood youth, saying “ I played for them too” and then laughingly affirmed the accuracy of Allen’s depiction of the stores where hustlers and wannabee hustlers bought their clothes, pulling out a photograph of one of his older brothers in a Bly shop shirt! As Mike spoke , and as he and Allen nodded in mutual appreciation of their shred experience, his fellow teachers looked at Mike with new eyes, and with new respect, as they realized that the stories he had always been telling everyone about life in “the Patterson” , even though he was an Italian American in his mid 40=E 2s,20were all true! By the end of the discussion, he and Allen hugging each other like long lost brothers, sharing phone numbers and making arrangements to visit a 97 year old basketball mentor named Mr. Page who still alive, lucid and living on the Grand Concourse.
After the book group ended, with hugs and photos and promises by Allen to return to the school, principal Cannon took us up to Mike Napolitano’s classroom, where he was using The Rat That Got Away, to promote literacy, reading skills and an understanding of local history in his class of 4th grade boys. The class was part of Principal Cannon’s experiment in creating optional boys and girls classes in the upper grades of his school and Mike was using Allen Jones, which was rooted in Bronx neighborhoods his students grew up in, to get his boys excited about books and reading.
The physical appearance of the classroom blew Allen and me away. On the walls were three large posters which had Allen’ s book broken down year by year, with descriptions of important events taking place in the country as well as important events in Allen’s life. To see the book broken down that way in a 4th grade classroom was just incredible- neither of us, in our wildest dreams, ever imagined the book being used that way. Then while we looked at the display, the boys in the class came up to use, holding notebooks and pieces of papers, and asked us for our autographs. We took about five minutes signing the materials offered for every boy in the class and then sat in chairs while Mike Napolitano had the boys sit on a carpet at our feet and ask us questions.
When the question period began it became clear that the boys knew Allen’s story down to the minutest detail , showing a particular fascination for his drug, prison and basketball experiences. “Was your name in prison really Youngblood?” one boy asked. “Are there scars where you injected drugs?” another boy chimed in. “Did you hurt your hand when you dunked” a third boy said. “Who was the Whiz Kid ( a famous Harlem drug dealer Allen referred to in one of his chapters)? a fourth boy wanted to know. At least fifteen of the boys raise their hands and the discussion only ended, after more than thirty minutes, when Principal Cannon told us we had to leave. The enthusiasm of these boys about the contents of the book just overwhelmed us. Clearly, the stories Allen told touched a chord with these young people in a way know book they had been assigned in school had ever done. When Allen had to leave he called the boys together, asked them to put their hands in a circle, count to three and chant “I am some-body.” They did exactly as Allen asked and SCREAMED the words out so loud the windows almost broke.
Allen and I left the classroom and the school feeling something truly extraordinary had taken place. A book we had written had validated the lives of teachers who were working in a South Bronx school and had given one teacher a vehicle for creating excitement about books and learning among a class of fourth grade boys. No television interview about the book or review in a major media outlet could match the feeling we had after spending a morning at PS 140. This is exactly what we wrote this book for!
Allen Jones honored by Bulldogs Care Foundation
Posted by FUPress in African American Studies, History, New York on September 25th, 2009

Allen Jones with co-author, Mark Naison
The Bulldogs Care Foundation held its third annual fundraising event, Tip Off To Success, on Thursday, September 24, 2009, at the Altman Building in Manhattan. The foundation was founded in memory of four Yale University Bulldogs and seeks to support disadvantaged youth as they pursue personal development through programs in athletics, education and mentoring. At the event several outstanding individuals were honored including Allen Jones, author of The Rat That Got Away.
Allen Jones receiving 2009 Pillar of Strength award on September 24, 2009.


