Pardon Moi. You could save 25% on our books in French Thought!

For the month of July, we are featuring some great titles in French Thought that are 25%  off. Use the promo code: FRPH14 at checkout at www.fordhampress.com.

Unfamiliar with some of the names? These authors have shaped philosophy, literature, gender studies, film studies, art, music–we could go on and on.

The late Jacques Derrida was the single most influential voice in European philosophy of the last quarter of the twentieth century. His Athens, Still Remains, The Animal That Therefore I Am, Sovereignties in Question, and Deconstruction in a Nutshell are staples of the Fordham University Press list. Watch this video of Jacques Derrida on the Fear of Writing.

For Strasbourg: Conversations of Friendship and Philosophy

Athens, Still Remains: The Photographs of Jean-François Bonhomme

Miracle and Machine: Jacques Derrida and the Two Sources of Religion, Science, and the Media

Jean-Luc Nancy is Distinguished Professor of Philosophy at the Universite Marc Bloch, Strasbourg. Among the most recent of his many books to be published in English are Being Nude: The Skin of Images; Corpus II: Writings on Sexuality; Dis-Enclosure: The Deconstruction of Christianity; Noli me tangere: On the Raising of the Body; The Truth of Democracy; Adoration: The Deconstruction of Christianity II and The Pleasure in Drawing (all Fordham).

Being Nude: The Skin of Images

 

 

Peter Szendy is Professor of Philosophy at Paris Ouest Nanterre and musicological adviser for the concert programs at the Cité de la musique. His books to have been translated into English (all from Fordham) are Kant in the Land of Extraterrestrials, Hits: Philosophy in the Jukebox; Prophecies of Leviathan: Reading Past Melville, and Listen: A History of Our Ears.

Kant in the Land of Extraterrestrials: Cosmopolitical Philosofictions

Hits: Philosophy in the Jukebox

 

Barbara Cassin is Director of Research at the Centre National de la Recherche Scientifique in Paris. She is the editor of Dictionary of Untranslatables: A Philosophical Lexicon (Princeton UP), and Sophistical Practice: Toward a Consistent Relativism (Fordham).

Sophistical Practice: Toward a Consistent Relativism

 

 

Anne Emmanuelle Berger is currently professor of French Literature and Gender Studies at the Universite Paris 8 Vincennes Saint-Denis, where she heads the Centre d’etudes feminines et d’etudes de genre. She is also director of a new national Institute for Gender Studies (Institut du Genre), backed by the CNRS and 32 French institutions for higher education. Her most recent publications include Demenageries: Thinking (of) Animals After Derrida (Rodopi) and The Queer Turn in Feminism: Identities, Sexualities, and the Theater of Gender.

The Queer Turn in Feminism: Identities, Sexualities, and the Theater of Gender

 

Catherine Malabou, holder of Visiting Chairs in numerous North American universities, currently teaches philosophy at the CRMEP (Center for Research in Modern European Philosophy) at Kingston University (UK) . The most recent of her books are, with Judith Butler, You Will Be My Body for Me (forthcoming in English), and Changing Difference: The Feminine in Philosophy (Polity).

The New Wounded: From Neurosis to Brain Damage

 

 

Jean-Luc Marion is The Andrew Greeley and Grace McNichols Greeley Professor at the University of Chicago Divinity School, Department of Philosophy, and Committee on Social Thought; Dominique Dubarle Chair of Philosophy at L’Institut Catholique de Paris; Professor Emeritus at the University of Paris IV–Sorbonne, and a member of the Académie Française. His books for Fordham include Prolegomena to Charity; In Excess: Studies of Saturated Phenomena; On the Ego and On God: Further Cartesian Questions; The Visible and the Revealed; The Essential Writings, and, as co-author, Phenomenology and the “Theological Turn”: The French Debate.

The Essential Writings

For the month of July, we are featuring some great titles in French Thought that are 25%  off. Use the promo code: FRPH14 at checkout at www.fordhampress.com. Unfamiliar with some of the names? These authors have shaped philosophy, literature, gender … Full Story

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Fordham Press Announces New Editorial Director

June 19, 2014

New York - Fordham University Press’s Director, Fredric Nachbaur, has hired Richard Morrison as the new Editorial Director of the Press and promoted Thomas Lay to Editor. Together they will honor, sustain, and affirm the editorial legacy of the late Helen Tartar.

Morrison has a deep commitment to and extensive experience in scholarly publishing, including editorial positions at Duke University Press and the University of Minnesota Press. During his six years at Duke he helped to build a strong program in anthropology, cinema and media studies, and literary and cultural studies. In his most recent role as Editorial Director at Minnesota, he established and maintained a thriving program specializing in American Studies, literary and cultural studies, philosophy, and theory. While at Minnesota he has worked closely with the Director and staff on short- and long-term strategic planning, including budgets, a new in-house database, and ebook initiatives.

Morrison holds a Master of Fine Arts in Writing from Columbia University and a Bachelor of Arts in English from the University of Florida. He was also a contributing writer to the Independent Weekly in Durham, NC.

Nachbaur states: “I am confident that Richard’s background and deep involvement in academic publishing will make him well suited to maintain FUP’s editorial vision and deep commitment to humanities publishing while signing books in new areas that complement our existing programs. He is sure to be welcomed by the devoted communities of authors and readers that we have developed over the past decade. I am so excited to have him join the Fordham team.”

Morrison conveys: “I am excited to join the team at Fordham University Press, and to have this opportunity to continue the work of Helen Tartar in making Fordham a leading publisher of innovative and rigorous scholarship in the humanities and social sciences. I look forward to honoring her legacy of nurturing and cultivating the work of emerging and eminent scholars, and to building upon Fordham’s strengths while diversifying its list. Keeping the intellectual vision of each author at the center of our collective mission has never been more important.”

Tom Lay, who has worked for eight years at Fordham University Press in various editorial capacities and helped to establish its reputation as a leading scholarly press, has been appointed Editor at Fordham University Press. Richard and Tom will both be serving as acquisitions editors, with an eye to expanding well-established programs the Press currently serves, like religion, philosophy, political theory, literary studies, science studies, and anthropology, as well as some new complementary lists.

Nachbaur says: “Richard and Tom have proven themselves to be passionate advocates for academic publishing and I look forward to working with them on developing a vibrant, critical, and creative publishing future for the humanities and across academic disciplines.”

Morrison succeeds Helen Tartar, who died on March 3. As the Press’s Editorial Director since 2003, Tartar helped to build Fordham into a major force in humanities publishing.

Morrison will start at Fordham on July 21, 2014.

June 19, 2014 New York – Fordham University Press’s Director, Fredric Nachbaur, has hired Richard Morrison as the new Editorial Director of the Press and promoted Thomas Lay to Editor. Together they will honor, sustain, and affirm the editorial legacy … Full Story

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PW Reviews Gray Matter by Sara Michas-Martin

GRAY MATTER
Sara Michas-Martin, Foreword by Susan Wheeler. Fordham Univ., $19.00 trade paper (80 pages) ISBN 978-0-8232-5779-9

Michas-Martin is investigative and clear spoken in her debut collection, with a unified focus on the interior self and its interactions with both the utilitarian body and the external world. Sleep and memory are often invoked or used as a setting in which the body performs subconscious interpretations of experiences in hands-off displays, teasing the self in light of memory’s fleeting ethereality (“Time I knew would not come back/ or that feeling”) or to sifting through dreams’ illogic (“losing teeth is a woman’s dream common and associated with vanity”). An undercurrent of frustration and helplessness gives an emotional life to Michas-Martin’s biological investigations. Despite even a comprehensive understanding of brain function, it—along with the entirety of the body—is persistently beyond control, such as in “The Empty Museum”: “I shake the brain/ wanting a file to slip.” Lesser moments find Michas-Martin more shallowly seeming to present the highlights of a neuroscience or psyche textbook, acting out processes and symptoms in a narrative, but not necessarily getting at something beyond them through invention or aggressive questioning. But even this builds toward a satisfying whole that’s confident in its pursuits and approaches them from an impressive number of angles. (March 2014)

Go to PW Review…

Reviewed on: 06/02/2014
Release date: 03/01/2014

GRAY MATTER Sara Michas-Martin, Foreword by Susan Wheeler. Fordham Univ., $19.00 trade paper (80 pages) ISBN 978-0-8232-5779-9 Michas-Martin is investigative and clear spoken in her debut collection, with a unified focus on the interior self and its interactions with both … Full Story

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Starred PW Review for Italoamericana

“A sophisticated, critical look at the writings of Italian immigrants to America across all genres….This volume is a major work and forms an invaluable testament to a forgotten era of Italian literary history in the new world….A massive work of extraordinary power, that while scholarly and comprehensive, will have wide appeal.”

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“A sophisticated, critical look at the writings of Italian immigrants to America across all genres….This volume is a major work and forms an invaluable testament to a forgotten era of Italian literary history in the new world….A massive work of … Full Story

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Bookreporter Interviews, author of Italoamericana, Francesco Durante


Interview: Francesco Durante, author of Italoamericana: The Literature of the Great Migration, 1880-1943

May 14, 2014

Francesco Durante is a journalist and Professor of Literature at the University of Suor Orsola Benincasa. Robert Viscusi, Ph.D., is Professor of English and executive officer of the Wolfe Institute for the Humanities at Brooklyn College, president of the Italian American Writers Association, novelist, critic and scholar. Between the two of them, they have quite a firm handle on Italian-American literature and culture. Durante curated and edited ITALOAMERICANA, a definitive collection of classic writings on, about and from the formative years of the Italian-American experience; Viscusi edited the American edition, which is now available. In this interview with Bookreporter.com, the two men discuss the limitations of Gay Talese’s 1993 essay “Where are the Italian-American Writers?”, why newspapers were vital to literary culture in the 19th and early 20th centuries, and how sometimes vital pieces of history can get lost.

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Interview: Francesco Durante, author of Italoamericana: The Literature of the Great Migration, 1880-1943 May 14, 2014 Francesco Durante is a journalist and Professor of Literature at the University of Suor Orsola Benincasa. Robert Viscusi, Ph.D., is Professor of English and executive officer … Full Story

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