Age-Old Media Bias

By Matthew Isham
In the wake of the acrimonious presidential election this past fall, several political pundits condemned what they believed to be invidious media bias on both sides of the contest. That bias, they charged, has created a toxic political environment that exacerbates partisanship and sharply divides the nation. At Salon, for instance, Andrew Leonard blamed the conservative “echo chamber” for promoting Republican extremism and blinding the party’s loyal base to political reality. Not to be outdone, Rich Noyes at the Fox News website accused “media elites” in essence of conspiring to derail Romney’s campaign and re-elect the president. For Leonard, Noyes, and other pundits, the behavior of the media in recent elections offends their ideal of an independent and objective media, scrupulously devoid of political bias. Their complaints are inspired by a nostalgic notion that the country’s press once was a model of professional objectivity, but, with the proliferation of electronic media, in recent years has devolved into unseemly partisanship.

Yet, what these critics see as a troubling new phenomenon has a very long history in this country in reality. Historically, the proliferation of the press and the establishment of political parties were intimately intertwined. Each was necessary to the establishment and development of the other. Beginning around 1800, newspapers enabled incipient political parties to reach a national audience and recruit loyal voters, ensuring the organizations’ long-term survival. For their part, newspapers benefited from subsidies from political parties to publish campaign information and literature and from an expanded readership that devoured political news. Still, this mutually beneficial relationship did not always sit well with people. The well-known social reformer and critic Gerrit Smith despaired of the deepening partnership between the press and political parties in the 1820s. He cautioned citizens that if they cherished an independent press, then they should “expose it, as little as possible, to the corruption of political parties and to the lying spirit, which too generally actuates them.” Americans did not heed Smith’s warning, however, for unabashedly partisan newspapers came to dominate the press from the 1820s through the Civil War.

So why did Americans tolerate a thoroughly politicized and highly partisan press in the past? In large part it was because the concept of a professional, critical, and objective media was foreign to them. From the 18th through much of the 19th century, the American press was designed to serve a segmented market. Individual newspapers served the interests of merchants, lawyers, women, temperance advocates, abolitionists, churchgoers, devotees of literature, even enthusiasts of pornography, among other niche markets. Americans therefore were used to popular media that promoted and catered to particular points of view, interests and beliefs. In Objectivity and the News, the historian Daniel Schiller contends that the penny press of the 1830s essentially invented the concept of objectivity in the media when they sought to bypass the segmented market and create a broader public appeal. This was an inauspicious development, for these journals’ pose of objectivity was a mere marketing ploy, not an accurate reflection of their editorial or journalistic practice. The penny press still was highly politicized, if not consistently partisan.

Partisan newspapers continued to dominate the press until the late nineteenth century, when. overt partisanship in the media all but disappeared. Politics and the media nevertheless continue to be intimately connected, as the robust market for political news has remained a constant. The proliferation of electronic media in recent years, particularly with the success of special interest websites and blogs, has capitalized on this by resurrecting media partisanship. This might come as an unwelcome shock to those who venerate the myth of media objectivity, but it is unsurprising when considered in the context of the mutual historical development of the media and partisan politics in this country.
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Matthew Isham is Managing Director of The George and Ann Richards Civil War Era Center, The Pennsylvania State University. He wrote “A Press That Speaks Its Opinions Frankly and Openly and Fearlessly”: The Contentious Relationship between the Democratic Press and the Party in the Antebellum North in This Distracted and Anarchical People: New Answers for Old Questions about the Civil War–Era North.

Salon link
Fox News link

By Matthew Isham In the wake of the acrimonious presidential election this past fall, several political pundits condemned what they believed to be invidious media bias on both sides of the contest. That bias, they charged, has created a toxic … Full Story

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Outbreak of the Undead Begins

It’s official: reports indicate that by midnight on October 31st, 2011, an outbreak of the undead will begin to infect the population of New York City. Roads will be barricaded, bridges will collapse, and the entire city may very well be turned on its head. Sensing this approaching doom, the greatest weapon that we can arm ourselves with is knowledge. In order to be completely ready to fight back the groaning, blood-drenched hordes that await us, we must first learn to understand the zombie at its most fundamental and philosophical levels.

Better Off Dead: The Evolution of the Zombie as Post-Human, edited by Deborah Christie and Sarah Juliet Lauro, explores the zombie from many different points of view, the contributors look across history and across media. Though they represent various theoretical perspectives, the whole makes a cohesive argument: The zombie has not just evolved within narratives; it has evolved in a way that transforms narrative. This collection announces a new post-zombie, even before the boundaries of this rich and mysterious myth have been completely charted.

We must ask ourselves: Are zombies becoming more human, or are humans becoming more like zombies? If we are, might that resolve some of our uniquely humanist problems? Will the equalizing force of the zombie horde undergo gender trouble, identity politics, and disparities between the haves and the have-nots? Might we not all be better off dead?

Here’s a sneak peek at “And the Dead Shall Rise”.

-Ben Sicker

It’s official: reports indicate that by midnight on October 31st, 2011, an outbreak of the undead will begin to infect the population of New York City. Roads will be barricaded, bridges will collapse, and the entire city may very well … Full Story

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Gothic: Halloween Summed Up in a Single Writing Style

“Scare Tactics is that rare academic work that’s accessible rather than purposefully opaque, and it has much to offer readers interested in American literature, gothic fiction, or uppity women.”—Bitch Magazine

The notion of “the Gothic” permeates our society’s art forms, conveying the darkest of possible tones. It is this sense of discomfort, this sudden acquaintance with the disturbing and the uncanny, which draws us towards this type of literature time and time again.

Scare Tactics, written by Jeffrey Andrew Weinstock, explores the women authors who contributed to this strangely intriguing literary field. Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism.

To read Chapter 1, “The Ghost in the Parlor: Harriet Prescott Spofford, Harriet Beecher Stowe, Anna M. Hoyt, and Edith Wharton”, click here.

For a 20% discount off Scare Tactics, go to www.fordhampress.com. Use Promo Code SCARE at checkout.

“Scare Tactics is that rare academic work that’s accessible rather than purposefully opaque, and it has much to offer readers interested in American literature, gothic fiction, or uppity women.”—Bitch Magazine The notion of “the Gothic” permeates our society’s art forms, … Full Story

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William O'Shaughnessy: Featured Speaker at The Dutch Treat Club

Earlier this week, Fordham University Press author and owner of the popular Westchester County radio station WVOX, was the featured speaker at the prestigious Dutch Treat Club which meets at The National Arts Club in Manhattan.

Bill talked about his recent book, Vox Populi:The O’Shaughnessy Files, an anthology of his superb radio interviews, essays and editorials.

The Dutch Treat Club is a very influential group of publishers, editors, artists, broadcasters and performers. Recent speakers have included Liz Smith, Jeanine Pirro, Mario Cuomo, Rudy Giuliani and Mike Wallace.

Read more about Mr. O’Shaughnessy. . .

“Bill O’Shaughnessy’s editorials make his New York TV counterparts look like so much mish mash.”—The New York Times

“A masterful interviewer as well as editorial writer, his interviews of national figures and beguiling local characters are the “…stuff of New York history direct from his radio bully pulpit.”—Liz Smith

Earlier this week, Fordham University Press author and owner of the popular Westchester County radio station WVOX, was the featured speaker at the prestigious Dutch Treat Club which meets at The National Arts Club in Manhattan. Bill talked about his … Full Story

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Halloween in the Hudson Valley

This weekend I made it to the Great Jack-o-Lantern Blaze at Van Cortlandt Manor on Croton-on-Hudson. If you haven’t been before, you should definitely check it out. The folks at Historic Hudson Valley do a great job every year.

There are over 4,000 hand-carved pumpkins that line the walkways, porches, and gardens of Van Cortlandt Manor. Besides the traditional jack-o-lantern faces, there are dinosaurs, insects, a honey hive, pirates, an undersea aquarium, and even a pyramid made of pumpkins. And, of course there are hot apple cider and baked treats to accompany your walk.

This year, the Blaze runs until November 7th, but if you’re not lucky enough to see the blaze on a clear night and a full moon, here are a few titles that might get you in the Halloween spirit.

Scare Tactics by Jeffrey Weinstock explores the tradition of supernatural writing by American women.

The women of the time repeatedly used Gothic conventions to express discontentment with circumscribed roles for women and to imagine alternative possibilities.

Paying attention to these overlooked authors—Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford—helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.

The staff is also excited about another title rooted in the supernatural—Better Off Dead: The Evolution of the Zombie as Post-Human, edited by Deborah Christie, and Sarah Juliet Lauro.

The authors investigate the zombie from an interdisciplinary perspective, providing the reader with a classic overview of the zombie’s folkloric and cinematic history.

Christie and Lauro seek to provide an archaeology of the zombie—tracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.

Katie Sweeney

This weekend I made it to the Great Jack-o-Lantern Blaze at Van Cortlandt Manor on Croton-on-Hudson. If you haven’t been before, you should definitely check it out. The folks at Historic Hudson Valley do a great job every year. There … Full Story

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